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IGCSE · Cambridge (CIE) · 0989

Gather visual research and give it context

Organise first-hand and secondary references so they inform, rather than replace, your own investigation.

Section AO1 · AO1 · Record

Cambridge IGCSE (9–1) Art & Design 0989 · exams 2026–2030 · AO1 / AO3

StudyForA provides original planning and reflective practice, not Cambridge-marked artwork or a complete studio course. Art & Design outcomes are personal and open-ended; text responses cannot verify material handling, image quality, safety or the quality of a portfolio. A qualified art teacher should review practical work and portfolio choices.

Before you begin

    Work on paper. Try each question before revealing help, and explain why your method works.

    Quick readiness check

    How can a visual reference help without becoming a copy?

    What you will learn

    • AO1 Record relevant observations and insights.
    • AO3 Develop ideas through investigation and purposeful connections to contextual references.

    Label the source

    For each source, note who made it, what it shows and where you found it. Record the context that matters to your project.

    Mark your own drawing or photograph as first-hand and external references as secondary. This keeps your process transparent.

    Respond instead of copying

    Name one feature you notice, such as a repeated shape or a use of contrast. Explain what question it raises for your own work.

    A reference can help you understand an approach. Your later image should transform the idea through your own observation, materials and intention.

    Sources for this lesson

    Pause and explain

    What turns a reference into useful research?

    Put the idea to work

    Worked example

    A student studies a public poster with large lettering and a cropped photograph. What belongs on the research page?

    Show the worked solution
    1. Identify the poster maker or source and its purpose if known.
    2. Record the layout feature that matters.
    3. State a question for your own experiment.

    Answer A useful note might identify the source and audience, observe that the heading dominates the image, then ask whether a quieter scale contrast could make a community notice easier to read. This records a response rather than copying the poster.

    Try a topic test

    Choose Easy, Normal or Difficult. Save your answers and open worked review after finishing.

    Test this topic →

    From guided practice to a new situation

    Write your answer and reasoning first. Use a hint only if you are stuck. The model solution is for self-checking; your written work is not automatically marked.

    1 · Guided

    You find a photograph of a crowded station. Give two things to record and one question it could raise for your project.

    Give me a hint

    Notice composition or relationships, then form a question rather than borrowing the exact scene.

    Compare my reasoning
    1. Name two visible choices.
    2. Add the source information.
    3. Ask how one choice could lead to a different response.

    You might record the diagonal platform edge and the contrast between fixed signs and moving figures, cite the source, and ask how movement could be suggested with a different viewpoint or medium.

    Look for these in your work

    • Records specific features
    • Provides source context
    • Frames an original next step
    2 · Independent

    A design reference uses a red circle as a warning symbol. Explain a safe way to learn from it without repeating it.

    Give me a hint

    Study the communication principle and make a different visual test.

    Compare my reasoning
    1. Name what the symbol communicates.
    2. Note the audience and context.
    3. Test another shape or colour with your own subject.

    You can note that a simple, high-contrast shape is quickly recognised, then test a distinct symbol for a different message. Keep the source credited and avoid reproducing the original mark.

    Look for these in your work

    • Identifies a transferable principle
    • Keeps the source traceable
    • Proposes a distinct experiment
    3 · Transfer

    You compare two public textile patterns from different cultural contexts. What should your research notes include before using either as a reference?

    Give me a hint

    Consider authorship, context, meaning, permission and your own response.

    Compare my reasoning
    1. Identify each maker or source where possible.
    2. Record context and meaning from reliable information.
    3. Explain what you are learning and how your response will be original and respectful.

    Notes should identify sources, state what is known and uncertain about their context, and avoid treating either pattern as generic decoration. A teacher can help check whether the proposed use is appropriate. Do not copy a culturally significant motif without understanding or permission.

    Look for these in your work

    • Records provenance
    • Recognises cultural context
    • Plans a respectful original response

    Common mistakes

    • Leaving out source details
    • Copying a distinctive image or layout as the final response
    • Writing a biography without explaining its relevance
    Recall without your notes

    What can you explain now?

    What turns a reference into useful research?

    Compare with the explanation

    A clear source note plus an explained connection to your own question

    It shows where the image came from and how it influenced further investigation.

    After trying it yourself, choose your next review. This is your self-assessment.

    Your review choice appears on Today. Sign in to sync it across devices.

    Make it stick

    Explain one visual decision you made and what evidence informed it.

    If you needed the solution, close it and solve the problem again from a blank page. A correct answer is stronger when you can explain the reason for each step.

    Keep learning Art & Design (9-1)

    Course scope and assessment

    17 original lessons link the four assessment objectives, the five subject areas and both year-specific assessment models. Every lesson includes an explained example and Guided, Independent and Transfer practice. This is a curriculum guide, not a complete studio course. Art-making requires materials, time and teacher supervision; no text response can award a Cambridge mark. Teacher review of practical work remains essential. Not available to private candidates. Cambridge lists 0989 in a limited number of administrative zones; in June it is available in zone 3 and for centres in Oman and the UAE. The published 2028–2030 route is June only. Confirm the year, series and centre entry with Cambridge and the exams officer.

    StudyForA · Learn with understanding

    Original teaching content and links to official sources. Check your exam year and qualification before using a resource.